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( m. 1961) Partner(s) Pablo Ruiz Picasso (; Spanish:; 25 October 1881 – 8 April 1973) was a Spanish painter, sculptor,,,, poet and playwright who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century, he is known for co-founding the movement, the invention of, the co-invention of, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the (1907), and (1937), a dramatic portrayal of the by the German and Italian airforces during the. Picasso demonstrated extraordinary artistic talent in his early years, painting in a naturalistic manner through his childhood and adolescence.

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During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the work of the slightly older artist motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art. Picasso's work is often categorized into periods. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the (1901–1904), the (1904–1906), the (1907–1909), Analytic (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the.

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Much of Picasso's work of the late 1910s and early 1920s is in a style, and his work in the mid-1920s often has characteristics of. His later work often combines elements of his earlier styles. Exceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments, and became one of the best-known figures in. Further information: Picasso's Blue Period (1901–1904), characterized by sombre paintings rendered in shades of blue and blue-green, only occasionally warmed by other colours, began either in Spain in early 1901, or in Paris in the second half of the year. Many paintings of gaunt mothers with children date from the Blue Period, during which Picasso divided his time between and Paris. In his austere use of colour and sometimes doleful subject matter – prostitutes and beggars are frequent subjects – Picasso was influenced by a trip through Spain and by the suicide of his friend. Starting in autumn of 1901 he painted several posthumous portraits of Casagemas, culminating in the gloomy allegorical painting La Vie (1903), now in the.

Pablo Picasso, 1905, Au Lapin Agile ( At the Lapin Agile) ( Arlequin tenant un verre), oil on canvas, 99.1 × 100.3 cm, The same mood pervades the well-known etching The Frugal Repast (1904), which depicts a blind man and a sighted woman, both emaciated, seated at a nearly bare table. Blindness is a recurrent theme in Picasso's works of this period, also represented in The Blindman's Meal (1903, the ) and in the portrait of Celestina (1903). Other works include Portrait of Soler. The Rose Period (1904–1906) is characterized by a lighter tone and style utilizing orange and pink colours, and featuring many circus people, and known in France as saltimbanques. The harlequin, a comedic character usually depicted in checkered patterned clothing, became a personal symbol for Picasso. Picasso met, a artist who became his mistress, in Paris in 1904.

Olivier appears in many of his Rose Period paintings, many of which are influenced by his warm relationship with her, in addition to his increased exposure to French painting. The generally upbeat and optimistic mood of paintings in this period is reminiscent of the 1899–1901 period (i.e. Just prior to the Blue Period) and 1904 can be considered a transition year between the two periods.

Portrait of, 1906,, New York City. When someone commented that Stein did not look like her portrait, Picasso replied, 'She will'. By 1905, Picasso became a favourite of American art collectors. Their older brother Michael Stein and his wife Sarah also became collectors of his work.

Picasso painted portraits of both Gertrude Stein and her nephew. Gertrude Stein became Picasso's principal patron, acquiring his drawings and paintings and exhibiting them in her informal Salon at her home in Paris.