Lee Ritenour is one of the smoothest, cleanest playing guitarists that's ever picked up the instrument! I first heard this album, on vynyl, back in 1983. As a then rock fan, I was totally surprised that I enjoyed it, but Lee's clean crisp sound, speed and edge touched a nerve. Apr 23, 2016 - Lee Ritenour, Tom Scott, Randy Brecker and other big names from. 'Footprints' follows, featuring some great jazz guitar by Lee Ritenour.
Chris Teen makes some great comments on the musicianship and content of the disc. Problem is, I bought the original cassette tape (also 'direct' to tape) in 1984 after my best friend played the LP for me. Some of the fundamental cuts are significantly different on this CD, and not as good.
The original tape has much more spontaneity and musical interest in the solo work. The slower more meditative cuts are the same, but the real movers are really different.
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The CD also re-orders the tracks, so it bothers these old ears. A remaster of the tape would be much more interesting to me, but I have not found one. I listed to this for the first time in years this morning. This is a first-rate album, Ritenour's best, in my opinion. He and his guitar are the centerpiece of the album. I think it is so-called smooth jazz at its best: not over-produced.
The liner notes note that it was recorded 'live in the studio,' and I think this method made it better. When I first read that in 1983 when I first got it, it had never occurred to me that music would be recorded any other way! Shows what I know. His guitar and his music dominate it to a degree that most of his subsequent albums do not.
I hear the producer more than I hear the musician in most of what he did after this. I wish he would make another album like this one. This album is an old favourite of mine from way back,in my late teens,and which I still enjoy and play often.I bought the tape version in 1986,and I would love to buy the cd,but going by the first review of the cd version,I won't be buying it anytime soon.It sounds like its been remixed,and the song list reordered,which ruins the sound and flow of the album,and thats a shame. I want to know,why can't they just re-release the album on cd as it was originally recorded without messing around with it?I had a disappointing experience with buying Lee Ritenours' 'Rio' album on cd,having had it on record for many years.The record version is absolutely beautiful,lovely soft, romantic brazillian percussion,and fine finger work by Lee,and a brilliant song list that makes you feel like you have listened to a story.The cd version totally rips the guts out of it,and with a terrible song sequence.Just awful.I do NOT recommend it. My advice to loyal Ritenour fans,think twice about up dating your old records/tapes to cd.I taped my old Rio album,and thats what I play,rather than wearing out the record.
But.I have seen, once, a long time ago,the cd version of 'On the Line' but with the original cover (from the original 1983 album),I wonder whether it stuck to the original format.never got the chance to actually hear it,and find out. 'On the Line' is a classic Ritenour album,my favourites would be Rit variations,Dolphin Dreams,California Roll,On the Line and Tush.I highly recommend it. If you can find a GOOD used record/tape of 'On the Line',I strongly advise sticking with that.Or even better yet,if your a computer whiz,transfer the album on to cd via the computer. Lee Ritenour is one of the smoothest, cleanest playing guitarists that's ever picked up the instrument! I first heard this album, on vynyl, back in 1983. As a then rock fan, I was totally surprised that I enjoyed it, but Lee's clean crisp sound, speed and edge touched a nerve. Since that time, I've acquired many of his recordings and seen him live several times.
'On The Line' is an in-studio concert. Seriously, read the liner notes! Lee fills the recording with big contemporary jazz names including Dave and Don Grusin on keyboards, Anthony Jackson and Nathan East sharing bass duties, and Ernie Watts on sax. This group then plays the entire set live, direct-to-disc. 'The Rit Variations' opens the album with a mid-tempo, electric-classical musing. Nice basswork by Jackson and punchy lines by Rit give certain sections an Al Dimeola/flamenco feel. Next Lee drops a mellow tune in your lap, full of nice Watts sax work.